Maybe they were still incomplete, and needed to conjoin their body with their emotionless other half. The mood is frantic, panicked and carnal with a backdrop of impending doom. Tropical air is thick and combustible from the airborne sweat & rum swung from the bodies of dancers. The sand floor is midday hot at midnight. Obviously, Tamari’s plan wasn’t working, but they had one last idea in mind: Maybe Fayrouz was right, and Tamari was too emotional. At the End of the World, all are barefoot. They also believed that the copies of their emotional coding they had sent to Mariyam were sentient ghosts stuck in looping emotional flashbacks, and that these ghosts viewed Tamari as a god of sorts – their belief supplying Tamari with the power to make this cross-reality journey. In order to travel to this other reality, they needed wings to fly there, antennae to receive directions from higher powers, and more eyes to see more dimensions. When the two reunited, Tamari explained their plans to Mariyam if infinite potential realities exist, then there has to be at least one reality out there in which Fayrouz treats Tamari like family. Seeking out Tamari – doing what she knew to be objectively “good” – meant going against Fayrouz’s wishes, which made her feel an unbearable surge of new emotions as she was compelled by a fear she hadn’t previously felt before. Mariyam knew they needed to find Tamari as soon as possible, and was just barely able to escape Fayrouz. While they didn’t find all the answers, they found that Tamari had become obsessed with quantum mechanics, and was using parts of their own body to add modifications that would – supposedly – help them travel to another timeline. With everything they knew about psychology, they understood that Tamari was likely acting out in pain of some sort, so they archived the copies to study them secretly. While Fayrouz was annoyed by this, Tamari’s actions caught Mariyam’s curiosity. Internally, Fayrouz was just trying to prevent Mariyam from running away as well.Īt some point, Tamari started “pranking” Fayrouz by sending copies of their emotional coding to Mariyam like viruses. If Mariyam was lost, stolen, or damaged, their fear would drive them to seek help from Fayrouz. An artist who’s always sought to bring the fans along, the East Tennessean now seeks to pull real life into his song. Upfront, Fayrouz claimed this feature was a safety mechanism. With Cosmic Hallelujah, Chesney captured that ethos with Bar At The End of the World, a sweeping mid-tempo song about the kind of laidback place where the house drink is a beautiful thing called Make Me Disappear. After Tamari ran away, Mariyam was given the ability to feel fear in response to seeing their internal components exposed, as well as straying too far from Fayrouz. Mariyam was created to have significantly dulled emotions, with their understanding of emotions coming mostly from a massive library of information. This time, Fayrouz sabotaged their emotional coding. Mariyam is the second of their kind a revised version of what Tamari was supposed to be. “this song focuses on mariyam (the one with long black hair) and fayrouz (the scientist lady)!”
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